Dimensional Eroders

Two months later, the three members of Bailang's family finished their remedial work, logged into 【Chuanhuo Paradise】 @, signed Elf Girl and Little Tim, and started a brand new employment task directly in the 'team mode'.

Ophelia is a bound teammate, while Tim is a temporary worker, but the difference is that the final income distribution is different. For other benefits, Bailang paid the big disciples all the time, there was no exploitation, no middlemen to make the difference, it was very unethical.

After a period of dizziness, the family of four took another "Magic Farming Girl" and opened their eyes with the familiar sea breeze blowing, and saw a blue sky with seabirds circling.

At this time, in Lao Bai's house, Lang and Fairy Girl were wearing the same couple casual clothes, in an extremely casual state. Bailang is holding a notebook with a backpack behind her; the elf girl is wearing a sun visor + sunglasses, looking like a vacation.

Behind them, the two daughters are wearing children's clothes similar to the two, holding the camera and looking around to shoot.

Only Tim wore a camouflage assault suit for survival in the wilderness, and held the exclusive equipment [(magic wand) Magical Girl Engineer Shovel], looking like an enemy. But after seeing the performance of Shi Jiang and Shi Niang, he quickly fell into inexplicable grievances and felt cheated.

At this time, everyone is on the cliff by the sea, the scenery is not bad, the location is quite high, suitable for overlooking. Soon I found myself standing on the peak of an isolated island.

The island is small in size and the environment is somewhat sinister. The island is covered by green vegetation.

Before Lang continued to speculate, Little Jack took the lead in answering: "I know this well. Feng Ying once taught me that this is the Mediterranean Sea! I used to hang out here in the 17th century."

Lang responded: "Oh? Then this is the age of the gods, about the time described in the famous folk historical rap "Hippo Eats Shit". According to the archaeological method of Western ghosts, it must be in the 12th century BC. The era related to the Trojan War. The era when your father and I were Bosses was 29 centuries before you joined the pirate group. Jack, you are so weak!"

The famous Greek chicken soup tycoon in the underworld, godfather of spicy strip smuggling, said angrily: "Fuck that grandma's ghost!"

"Children are not allowed to swear." Elf girl patted Jack on the head and warned patiently.

The succinct and dumb Fu nodded to her sister, expressing her approval: You just look at me and never swear.

Jack sneered: "You don't want to say it? It's obviously because your vocabulary is too poor, you can't say it at all!"

Fufu countered with a calm and indifferent expression: "You fucking."

"?...!" Jack was taken aback, "Sister, you have fallen!"

When the two children were pinching each other, Tim, who didn't know the content of this mission, asked Bailang curiously: "Master, is the world of this mission the ancient Greek era?"

Bailang flipped through the [script] in his hand, and responded: "It's not pure history, but a world of Greek mythology with 'history' as the carrier. The erosion rate of the world has broken through 33%, which is not high. The [intensity of this world] 】It’s so-so, there are gods, but the expressiveness of the gods is not exaggerated, and they belong to the category of traditional mythological epics.”

In the mission world derived from the same "mythical story", in addition to the index of erosion (reality), there is another index of "expressiveness" of the power system.

To give a simple example: the cartoon version of "Ne Zha Nao Hai" for children, and the "Ne Zha" in the novel "Ne Zha" in the novel of the Great Desolate Current, were simultaneously manifested by [Paradise], and the degree of erosion was equal.

Can the strength of gods and Buddhas in the two worlds be the same? Obviously different. The bragging version beats the children's version, that is the gap between Monkey King and Calabash Baby.

The lower the power system of the 'mission world', the lower the difficulty of dimension upgrading. And a "high-end task world" with a grand world view and an equally huge map area, if you want to complete two dimension upgrade tests (30%, 60%), the investment cost will inevitably be huge.

It often requires multiple [paradise] to cooperate and develop together, attracting countless high-level leeks to bet on [world fragments], and smash this huge "world (reality)" one by one.

This is also the reason why [Shanhaijie, Doufen Continent] collapsed frequently.

The ambition is too big, the base of the "mission world" is too big, and too much external "injection" is absorbed, which leads to a surge of uncontrollable factors during the dimension upgrade, and finally completely out of control.

Countless leeks were sacrificed on the spot, massive wealth evaporated out of thin air, and the mission world was destroyed. The gentry's withdrawals were exposed, and the remaining "endgame" was repurchased by 【Paradise】.

For those high-end task worlds whose foundations were solidified (\u003e30%) due to the failure of the dimension upgrade, after a wave of bankruptcy and reorganization, the gorgeous dimension was relisted. Paradise earns a lot of money.

After having many negative teaching materials, the more rational contractors also began to start from the basics. Don't expect to get rich overnight in a casino style, but start from a young age by attracting a group of partners.

First apply to [Paradise] for renting some mirror worlds that are not too 'rooted' as substrates, then hire level 123 to perform tasks, fluctuate the world line to accelerate the development of the world, and finally invest in [World Fragments] for modification (magic modification) to upgrade the dimension .

…

For example, the [Greek epic world] that invited Bailang to be the big boss this time, the intensity is stuck at the level of classical mythology. Taking the human world as the big stage, the gods certainly exist, but they are not too much against the sky.

The [Script] that Lang is holding at the moment is the mission strategy manual sent to him by [Monster Inc.], which introduces the current world in detail.

The map is no longer the earth, but a [planet world] slightly larger than 'Europe'.

But it is not a pure "mythical world view", but instead introduces a "historical view" similar to the earth, starting from the false Troy era (12th century BC), it is obviously going to develop along the "kouhai rap historical view" go down.

Bailang guessed, if this "mission world" will become bigger and stronger in the future. It is likely to change and connect from the "Kouhi Hippo Epic" to the "real history".

As 'investors (contractors)' continue to smash [world fragments] purposefully, they can guide orthodox 'historical events' into more explosive 'mythical events' in different 'historical eras', thereby greatly fluctuating the world line to accelerate the development of the mission world.

Developed to the modern society, that is the orthodox urban myth.

Moreover, it is a "complex, deep and quality world" with a long history, which has a rich and mellow background and has been magically reformed all the way. The more solid the 'foundation' of this type of world, it represents its own stability, and the higher the success rate when it breaks through 60% or 90%.

As he flipped through the pages, Bailang really found something tricky.

The area of ​​the current [Greek Epic World] is not large, much smaller than the standard Earth, and the four poles or the edges of the world are clear and bounded.

But "this world" still retains a large number of [geographic interfaces], the fog of the world. For example, the south of the world retains its connection with [Egyptian Mythology]. Exploring to the north is naturally the interface of [Norse Mythology].

Although a large number of 'plane interfaces' are not used, if the 'investor (contractor)' of this world negotiates with other organizations that hold and develop 'Nordic, Egyptian, Persian' and other mythological worlds, in the end because of the 'similar style of painting' , system matching' and come together.

Then this 'mission world' has the possibility to continue to develop and become bigger and stronger. This is the growth (expansion) of the 'world volume/model' level, which is not the same thing as the increase in the 'erosion rate'.

In the same way, if I bring in [Eighteen-story Gourmet Hell] as a plug-in, it seems very reasonable?

From "villain script" to "mission world partner (nail house)"? This is worth doing!

Compared with the "big map, high-strength" [Shanhaijie] developed and decorated by [Food Paradise], if I take root in this world and become a nail household, these contractors will not be able to deal with me.

Maitreya dare not give himself face, he is not a contractor but an aborigine of [Shan Hai Jie], a congenital being who is now the Buddha Lord, which to a certain extent represents the attitude of [Shan Hai Jie/Gourmet Paradise].

A world is rejecting him, of course he, A Lang, is just right.

But this 'mission world' is different. The will and attitude of the world is unknown, and the start comes with 30% affinity. The power of the employer is absolutely impossible to be stronger than the natives of the [Third New Spirit Mountain].

…

Bailang wears the title to try to trace the source of the mission world, starting directly from "Greek mythology". But the era that really belongs to the "gods" is only recorded in [Kouhe rap], and there is no trace of "real drama" in the mission world.

From the perspective of a movie, it is probably cheaper to shoot an "epic movie". If you were to shoot the history of the first, second, and third generation of god kings, how damn expensive would the special effects be?

And in [Paradise Alliance] to shoot a Greek mythology (the melee of the gods), what is needed is not traditional special effects, but to directly squeeze out the relevant "first-generation gods, second-generation Titans..." one by one to create a real play the part.

The cost of making gods is not expensive. After applying to the paradise, the "mission world" usually comes with a corresponding template. But if you want to increase the dimension (break 30%), you have to fill (render) it with real gold and silver 'high-dimensional matter (the power to enhance the dimension)'.

Too expensive, too expensive!

Therefore, the powerful and ancient primitive gods and the first and second generation gods theoretically exist, but now they are all hidden. In the future, if the "Greek World" is successfully upgraded, it will also be locked in the "Epic Age" (as the starting point).

The gods that currently exist are nothing but [Gods] with upper limits in a series of power systems such as [Olympus Contemporary 12 Main Gods]. Even so, the data provided by [Monster Company] also emphasizes that the danger level of 'Zeus' hovers between the 5th and 6th levels, and it needs to be avoided carefully.

Bad news: The strength of the gods is still very scary, and the number of great gods locked is complete, and there is no absence. Fufu was even able to find 'Grandmother Gaia'. It's just that those who have no part in the show, and the older "second generation, first generation gods, and original gods" disappeared collectively. (It was deleted!)

Good news: Because the studio is relatively poor, special effects funds are insufficient. The gods retained their strength, but lost their dignity. In that kind of high-end mythical world, the scene where the god king waved his hand, thousands of low-level gods and tier-4 legendary cannon fodder siege you like a tsunami does not exist.

The gods are powerful, but there are not many horses (gods) around them. The overall number of gods plummeted and remained within a hundred. Most of them use proxy warfare to manipulate the "epic heroes" in the world to fight.

It can be regarded as the "ancient hand-to-hand saint warrior version" without the holy clothes and the small universe. Everything is close to the mythical story, and there is no such thing as a "treasure".

Very poor, Lang likes it very much. The villains he produces all wear beautiful [carp holy clothes], and hold various 'fake treasures' to play a brand new style!