Maybe a Fake Gintama

First of all, in terms of data, here we only talk about the data from the starting point, because there seems to be not even a hundred collections in the bookstore.

It was released on January 1st. I remember clearly that the total collection of Qidian at that time was just over 700. After two months of streaking, it was only 700 collections. At that time, I felt that this book was hopeless.

The first order is probably between 70 and 90. I don’t know the exact number. The first order to subscription ratio should be greater than ten to one.

After a month, the collection has increased to 1,900. In just one month, the collection has almost doubled what it was in the previous two months. I feel quite satisfied.

As of 8 o'clock tonight, our high-definition price is 256 and the average price is 158. This result is already very satisfying, and it can be seen that subscriptions have been increasing. (Maybe after the full attendance period, the benefits can be increased to 500 evenly. Okay, I admit that I am thinking nonsense.)

The subscription ratio remains at thirteen to one, which is already a very good result. After all, I am a quite contented person.

That’s all I have to say about the data. Of course, I hope everyone can continue to support it.

The next thing to talk about is the plot. Anyone who has not missed a chapter should be able to find it. Basically, I have changed everything I can about the daily plot. At least I have added new elements. This can be regarded as not being consistent with the original work. Too similar. However, this also results in each daily short story being much longer than the previous ones. It is really not water...

Gintama is different from other works. It is basically all dialogues. If you have followed the comics, you must have a deep understanding of it. Other comics have one frame per dialogue box, or several frames per dialogue box.

But Gintama... one screen is filled with dialog boxes! ! !

Gintama relies on dialogue to drive the plot, and everyone should be aware of this. The same goes for this online novel. It’s basically all dialogue, with very few descriptions of scenes and characters. There’s nothing I can do about it. If I really described the environment more carefully, I would have to go up to ten chapters for a daily chapter. .

Also, some people may feel that there is too much nonsense...well...about this point, this is also Gintama's style, and I really can't give it up.

Then let’s talk about some controversial plots in the early stages of this online article.

First of all, about the first volume, the encounter between Gintoki Jiang Cheng and Song Yang. In the theatrical version of the Benizakura chapter, after Songyang met Gintoki, he took him directly back to the classroom of Matsushita Village School. Among the students in the classroom were Takasugi and Katsura.

But in the Gintama feature film, Songyang met Gintoki first and then founded the Matsushita Village School. Then he met Takasugi and Katsura.

I wrote the plot here completely according to the main Gintama chapter, not the Benizakura chapter in the theatrical version. There is no need to worry about this.

The second is that in the original work, Sakamoto set out for the universe after the war against the foreigners ended. I have brought it forward here and arranged for Sakamoto to go to the universe when the war against the foreigners was about to end. In fact, it is also hinted here that with the addition of Jiang Cheng, the entire war against the foreigners will be even more tragic than the original work.

Even when the Heavenly Daoists dealt with Jiang Cheng, they waited until Jiang Cheng was weak before setting a trap. This is also an affirmation of Jiang Cheng's combat power.

The last point is that in the original work, the leader of the Yili tribe had his seal carved on his face after divorcing the anchor Yuno. I was also ahead of schedule. This is indeed my problem. Because I didn’t read too carefully the part in the original work. The love and murder between two brothers in ancient times was like the Uchiha and Senju in the Hokage next door, so I skipped a little bit...

However, this small bug is not a big problem. It can be ignored for any reason... (cross out this sentence). I will seriously find a reasonable explanation! After all, there is not only one such thing as a charm. It can be said that the one on Doman's face at that time was a charm passed down from the ancestors of the Malino family that can enhance male charm... After all, after the anchor Yuno married Doman, he never had that charm. What, so Daoman wants to do that, so... Hehe, I am really a little genius.

And the last point is the question that some people have always raised about adding a love element and making Yue Yong the heroine.

This...hey, how should I put it, this is really necessary for the plot! It’s not that I didn’t intentionally prevent the two of them from developing in that direction. After all, everyone can also see that Yue Yong basically talks more and more, especially in the One-Horned Immortal chapter, and can even joke with Jiang Cheng.

This also reflects the changes Jiang Cheng brought to Yoshihara and the changes he brought to everyone in Yoshihara. What Jiang Cheng wants to do is not just to poke a hole in Yoshiwara's ceiling, but to change it bit by bit, and eventually bring everyone to the "outside" so that they will no longer be any different from the people "outside".

There is no such thing as a perfect protagonist, this is what Gintama tells us. In fact, neither is Jiang Cheng. He has shortcomings and even some minor flaws in his character. But I think he's pretty good like this. In fact, everyone in Gintama is like this, but when faced with an important choice, they can make the most correct choice, which makes us shout with joy. This is the charm of Gintama.

In fact, in the final analysis, Jiang Cheng does not meet the three elements of jump. In fact, it is similar to madao. Madao is also a character that does not meet the three elements of jump at all. It can even be said to be a negative example of the three elements of jump.

You may not be able to see this in the daily chapters, but if you can follow it all the way to the end, I believe you will understand.

The creation of such a protagonist is also to suit Gintama, after all, Gintama’s style has always been like this. But as I continued writing, I found that the characters in my novels came to life, and some words came out naturally without me even thinking about them, as if he really existed and would really say that. This feeling is very touching. (I'm probably about to evolve into an orangutan...)

Don't worry too much about the heroine. Even if you really want to consider it, you have to wait until the finale. If everyone wants a female lead by then, I will seriously consider it.

The above are some of the places that everyone struggles with the most.

Finally, in fact, I left a few but very important foreshadowings to the main plot in the previous article. I don’t know if you have discovered it. If you have discovered it, don’t tell me. If you haven’t discovered it, you can wait for the subsequent plot.

I'm really looking forward to it. When everyone saw the ending, they had a look of surprise. "It turned out that the plot at that time was foreshadowing here." This should be the happiest thing for a writer.

What Balabala said is all nonsense.

In short, I hope everyone will continue to support!

And, thank you all for your continued support!

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