Rebirth of Hong Kong 1981

   Chapter 556 Immortal Feet

   After hurriedly eating breakfast, Chen Yulian dragged Yang Chen and ran away.

  This breakfast was the most embarrassing one Chen Yulian had ever eaten.

  From beginning to end, she kept her head down, silently cooking, not daring to look into the eyes of her elder brothers and sisters.

   On the other hand, Yang Chen didn't seem to care. As early as when the third sister of the Chen family blushed, with big dark circles under her eyes, and spit on her face, he already knew the reason.

  Because of Chen Yulian's thin skin, Yang Chen couldn't say anything, so he could only accompany her to finish the meal in a hurry and leave the Chen family.

   In the middle of the way, Wen Bixia, who was thinking about it all night, stopped the car when Yang Chen and the others were leaving, carrying a small schoolbag, and got into Yang Chen's car.

  Wen Bixia's parents were persuaded by Wen Bixia as early as last night, and with Chen Yulian taking care of them, they also put a hundred and twenty hearts into it.

  Yang Chen looked at Wen Bixia, who was sitting in the car, alone and somewhat restrained, and couldn't help but said: "Little girl, you can think about it, don't regret it halfway, and come back crying when the time comes."

  Wen Bixia shrank her head, looked at Yang Chen with her big eyes, and then looked at Chen Yulian next to her, she had an inexplicable nervousness about Yang Chen, she didn't know why, it was just unspeakable nervousness.

   Fortunately, there is Chen Yulian by her side. As a past person, she is very aware of Wen Bixia's current thoughts. Seeing Wen Bixia's firm and nervous eyes, she seems to see herself in the past.

   Everything seemed to be just yesterday, and the repetition of history made her feel inexplicably uncomfortable.

  Her experience now reappears on Wen Bixia, and the reason is that everyone wants to leave here.

Chen Yulian: "Ayu, I'll take you to ATV later, I'll arrange a place for you first, I'll arrange for you to live with the people in the training class, and I'll arrange for you to come in after the endorsement of Yuchen's clothing is done. Training class study.

  In the dormitory building, there is everything, and there is an aunt who takes care of your life. If you don’t understand anything, you can ask the aunt or the people who live with you…”

   The ATV training class that has been reformed by Yang Chen has been getting closer and closer to the path of the future generations of stick trainees.

   It was hard work. Not long after the training class was established, some people had retreated one after another, which is evident.

   One minute on stage, ten years off stage.

   This sentence is not just a word of mouth, but a practical implementation.

  Small fresh meat is a trend, the change of the times, anyone can only adapt.

  Since people's love for little fresh meat and beauties cannot be changed, then we can only transform little fresh meat and beauties, so that everyone has both good looks and talent.

  Before, the training class only required everyone to learn how to act, be a good actor, director, screenwriter, etc.

  Now, ATV's training classes offer countless subjects. An artist must not only learn to act, but also to understand music, various musical instruments, dance, makeup, dressing, etc.

   And the director, it is even more strict, the thick history book, the equipment and clothing of each era must be understood and mastered.

  The eyes of the audience will become more and more critical with the visual fatigue. If you fall behind, you will be beaten, and if you don’t make progress, you will fall behind.

  The purpose of the ATV training class is to strictly enter and exit, to ensure that the actors can become a little all-round entertainer after graduation in the future.

  Forging iron also needs to be **** its own. If there is no stock in the stomach, even if there is a chance, even if it becomes famous overnight, such a person will only be a flash in the pan.

   And the director, only with a solid foundation will he not shoot something that makes people feel ignorant and ridiculous.

  For example, the anti-Japanese dramas of later generations were good in the beginning, and everyone likes to watch such patriotic movies.

   But the more and more deviated from the back, the films and televisions that well promoted patriotism, all kinds of dramas, all kinds, all poured out, making everyone mention the anti-Japanese drama, and there is a black thing in the head.

  Ignorance is not scary, what is scary is that there is no culture, and the audience's enthusiasm is wasted.

   Therefore, when Yang Chen reformed the ATV training class, he paid special attention to this point.

   In the 1980s and 1990s, Heung Kong Film and Television, Heung Kong Stars, were the representatives of the whole of Asia. Yang Chen hoped that this kind of brilliance would continue in the future, so as to avoid the cosmetic surgery of Korean sticks from sweeping home and abroad.

   In the past few hundred years, Asia was far ahead of the world in terms of area and population. The entire Asia accounted for two-thirds of the world's population, and it was not comparable to other places in terms of number.

   As long as ATV can firmly occupy the reserved land in Asia and turn it into a back garden, it can affect two-thirds of the world's population.

   Media film and television, in the 1980s and 1990s, was an industry that could become the backbone of Hong Kong. The entire Hong Kong depended on media and film for tens of thousands of workers, directly or indirectly affecting the livelihood of hundreds of thousands of people.

   is also a very large group. As long as the position of Heungkong Film and Television can be maintained, relying on the volume of Asia Media Film and Television is enough to make Heungkong Media Film and Television industry an important economic pillar of Heungkong.

   And if you want to maintain this situation, you must maintain a leading edge in the quality of the output movie.

  Only with guaranteed quality can we survive in the increasingly competitive film and television industry.

   Of course, it is also very important to grasp the inland next door, the money bag of the future of Xiangjiang.

At the beginning of the 21st century, the economies of Asian countries have further developed, people's living standards have improved, and local film and television companies in Asian countries have matured step by step with the support of their respective countries, and various restrictions have become more and more. In the end, it is the inland market.

  Without the inland market, Xiangjiang Film and Television has finally weakened under the boycott of film and television from all over the world.

  Only by tightening the purse, can Heung Kong Film and Television maintain continuous prosperity and a leading position. With market assurance, investors will invest.

  Under a virtuous circle, various blockbusters of excellent quality can be produced, and only high-quality blockbusters can overwhelm the arrival policies of other countries.

  Look at the United States. If you can't handle a small boat, you can build a big ship. If you can't handle a big ship, you can get an aircraft carrier. If you can't understand an aircraft carrier, you can build a spacecraft.

  You can boycott, you can launch a national boycott, but in the capital society, in the 21st century, if countries want economic development, it is impossible to play the early closed countries.

   As long as you can't completely block the channel, then others can kill you with money.

  You are a small country, you have no money, see how you catch up and play with me.

   is not an opponent of the same level, the gap is one day and one land.

   This is the strategy of Laomei, and Xiangjiang can also learn from it. Even if the inland market with a population of more than one billion is not as good as Laomei, it is not much different.

   Coupled with the reliance of Asian countries on Xiangjiang Film and Television, as long as the gap between the two is not too large, Xiangjiang Film and Television may not be able to do the big ship of the old beauty.

The reason why later generations of Hong Kong filmmakers can't do the old beauty is not because of their cultural heritage and lack of imagination, but mainly because of the money. They are used to being small and big, and they are reluctant to spend a lot of money on special effects and **** effects because of their blind pursuit of star effects. investment, resulting in a growing gap between the two.

   Don't forget, there are countless mythical histories and mythical characters. As long as you 'add special effects' to them, and 'use special effects well', that is the existence of the air.

   The spear is so powerful

   You can still sneeze against an old cow?

   A salt soda, it can spray you all over your grandma's house.

   Big ship?

   Immortal's feet stretched out

  Small carp and a dragon swinging its tail

   dragon blows bubbles

  …

  Any one can make it go back to the bottom of the sea.

   Just ask if you are afraid?

  ——

   (end of this chapter)