Reborn with Naruto In Tokyo, Japan

Like a repeating machine, and like a spiral staircase, there were four wars and peaces in the picture scroll. The war did not solve the problem of the cause, but gave birth to a new round of war.

Without being able to read the text, everyone didn't know why the war started, nor did they know what the result and purpose of the war was.

But after the fourth peace, the picture scroll's style changed suddenly.

The picture scroll no longer describes war and peace, but divides the picture scroll into two with obvious pattern intervals, rather like finding that there is still paper left after drawing a story, and simply use the remaining blank waste.

The first scene of the picture scroll on the right is a towering giant tree, and above the sacred tree is the huge moon that everyone is familiar with. The silver-white moon looks a bit like a gemstone, but the ancients didn't have astronomical telescopes, so they couldn't ask for too much.

The moon occupies a large area of ​​the painting in an extremely exaggerated manner, and the giant tree does not give way too much. In the scroll, small mountains are used to set off the height of the giant tree.

"The tree and the moon, is this someone who climbed the tree?"

"Do the front and rear picture scrolls describe two different things? No, if they are not related, they will not be placed in the same picture scroll."

"Is this what happened after the war?"

"Keep reading."

In the second picture, a woman with long hair climbed up a tree and ate the fruit it bore.

Judging from the costumes painted by poor painters, most of the fruit-eating women are also from East Asia.

However, no matter how many well-informed experts look at it, it is still impossible to determine which region and historical stage the costume is from. It looks like Huaguo and more like the mainland of the island country.

But what is more similar is the four images created by some cartoonist.

The four wars were resolved with only a few paintings. Every picture that can appear on this scroll has an extremely important meaning. Even eating the fruit must mean that something important is about to happen.

Sure enough, after the woman ate the fruit, the entire tall giant tree inserted into the sky underwent a terrifying change in the next scene.

The giant tree has turned into a brown monster, rampant on the ground, and the mountains on which it walks are extremely terrifying. Perhaps it is this rough painting that makes this despair even deeper.

From the texture and color, it can be judged that this monster is transformed from a giant tree, and the faces of ordinary people running on the ground in the picture scroll have terrified expressions.

"Eating the fruit on the tree gained superpowers, but it also caused an earth-shaking change? Even the whole tree turned into a monster..."

"So it should be regarded as stealing the fruit."

"What is painted in the picture scroll should not be something that happened in our country, otherwise it will be recorded in ancient books no matter what."

Smacking their mouths, a group of experts were digesting the shock brought by this picture scroll.

Putting it on ordinary unearthed cultural relics, this would only be regarded as the wonderful fantasy of the ancients, but since it was unearthed at the same time as the extraordinary thing, the credibility of the picture scroll reached the highest in an instant.

In the next picture after the monsters ravaged the world, the woman who ate the fruit and the monster transformed from the sacred tree suddenly appeared in the full moon in the sky.

One person and one monster standing on the moon, the composition style is very similar to that of elementary school students, but with the aesthetic knowledge of the ancients, I can only think of this simple way of expression.

This is the end of the picture scroll, one person and one monster, but it stops abruptly when they reach the moon.

What exactly does this represent? Unfortunately, no one can make any strong guesses without understanding the text next to it.

"The myth of stealing fruit is China's Chang'e or the West's Adam and Eve. Judging from the moon, there are undoubtedly more Chinese myths."

"It must have happened in another world, the history of the extraordinary."

"Phew, this discovery is too important, and speaking of it, is this sacred tree the same as the one outside..."

Speaking of the sacred tree, the atmosphere in the room instantly turned cold. Isn't the most important thing in this shrine is the sacred tree standing between heaven and earth.

The tall giant tree in the picture scroll turned into a monster after being picked off its fruit. Is there any connection between the sacred tree in the Taisha and the sacred tree in the picture scroll?

And from the appearance point of view, no, most of the trees look the same, which cannot be used as a basis for judgment, but in case, even if an event with a small probability of one in ten thousand happens, the sacred tree and the The giant trees in the picture scroll belong to the same source...

Will the sacred tree run amok in Tokyo under certain circumstances, but what is also important is whether the sacred tree can really bear fruit, and will it gain the power of immortality after eating the fruit as in the myth of Ben Yue.

"What nonsense are you talking about!"

"I... well... I'm talking nonsense."

Did they see something they shouldn't see?

Moreover, I still read this picture scroll on Shenshu's own territory. In terms of the ability of supernatural beings to appear and disappear, it is said that Yoyogi Shenshu also saw the things on this picture scroll without anyone noticing.

Just like the murderer in the movie stands behind the solver with his hands behind his back, it is sure to end in blood.

An ominous premonition that they are about to be murdered hangs in everyone's heart.

The new discoveries that were eager to get ahead were replaced by a deadly atmosphere. All the people present were smart people, and they all sensed the great danger by coincidence.

What is the relationship between Shenshu and Buyuan and ordinary people like them, so he pretended not to know about it, and pretended not to think about it.

"I, I, let's tidy up the work quickly, please ask Professor Fujiwara to seal the picture scroll."

"Yes, yes, the photos have been preserved, so don't worry about rubbing them. These three scrolls have brought us too many valuable things."

"Ah, I have to go back to the institute quickly."

"The rice in my pot is almost burnt."

"Let's go, everyone, let's go."

A professor inadvertently met the eyes of Asashi Ito who was standing next to him, and he was so frightened that his whole body trembled.

The red and white maiden costume, this is... the lackey of the sacred tree!

He has already preconceived that the sacred tree and the monster in the scroll are aligned!

Ito Asashi didn't pay attention to these people's small thoughts. From her point of view, Lord Shenshu will definitely not be the monster that destroys the world in the picture scroll. Don't forget who is protecting the safety of the entire Tokyo.

Besides, so what.

If Master Shenshu also bears fruit, then as the number one witch, she will definitely protect the safety of this fruit to the death.

If Master Shenshu really wants to destroy the world, he will go on the saddle to kill the enemy bravely - destroying the world sounds pretty cool.

It wasn't until they left the scope of Yoyogi Kamiju Taisha Shrine that several experts who hadtily called it a day breathed a sigh of relief.

"Hurry up and sort out the information in that picture scroll and submit it to the cabinet, without stopping for a moment."

The leader, Professor Fujiwara, clenched his fists and looked up at the towering sacred tree anxiously.