The Fantasy Entertainment Empire

When the good news from Japan came back to China, the business department of Dimension Entertainment was naturally very excited.

Ye Jiayi immediately wrote back to Li Zerui, praised them, and promised that all the employees of "Dimension Japan" will have generous bonuses this year.

In addition to the excellent results in Japan, "Amber Sword" also performed very well in other Asian markets.

The work "Amber Sword", in terms of the operation of the entire overseas copyright, according to the news sent back from various places, it is estimated that the whole can get about 50 million yuan in revenue.

Among them, the big head comes from the Japanese market where the animation industry is the most developed. At the same time, regions such as South Korea and Southeast Asia also have certain income. As for other regions of the world, such as Europe and the United States, the current method adopted by Dimension Entertainment is to find local agents and directly sell the animation copyrights of the works there. This part of the income is relatively small.

But in any case, it is quite good that overseas copyright marketing can achieve this value.

When the animation work "Sword of Amber" conquered cities and territories abroad, its domestic influence has also reached a higher peak.

By the time the work reaches the seventh and eighth episodes, the total number of views has reached 400 million.

This is quite phenomenal data.

Previously, Dimension Entertainment estimated that the final broadcast volume of "Amber Sword" could exceed 500 million. Now it seems that this estimate is still too conservative.

It's only seven or eight episodes, and it's only halfway through the broadcast, and there are already 400 million. The final data, one billion should be the bottom line, or even higher, and it is possible to look forward to it.

With the success of the broadcast, Dimension Entertainment also began to further strive for more benefits for this work.

The copyright of domestic peripheral derivatives also has a lot of room for development.

Within a period of time, Dimension Entertainment discussed the production of figures, cooperative clothing, various prints, albums and the like.

In addition to the sale of official peripherals, there are also many cooperation negotiations with many real economies. We can authorize the peripherals of the works to them and let them do it by themselves.

According to Ye Jiayi's estimate, with the popularity of "Amber Sword", these things can still bring tens of millions of benefits to Dimension Entertainment.

In this way, the entire commercial revenue of this work may reach 200 million to 250 million.

Regarding the related financial report, 'Dimension Entertainment' has not released it to the outside world. However, there are always some investigative agencies that can deduce something magically from various aspects of data.

Although it is not that accurate, but it is not a big problem to use it as a reference.

Therefore, when many people in the industry got the relevant data, they couldn't believe their eyes.

For example, Kappa.

After "Full Time", he can be regarded as a gold medal animation project person, and he has a good reputation in the industry. However, he couldn't imagine how Dimension Entertainment could achieve more than 200 million achievements with just one animation?

Even so, it seems that the visual effect of "Sword of Amber" is better than that of "Full-time", or even an order of magnitude higher, but... After all, this is just animation!

He operated "Full Time" at that time, and after removing the cost and the IP for Dimension Entertainment, he didn't earn that much money at all.

The surrounding area is not so easy to develop, and overseas copyrights are not so easy to engage in. The only thing that can earn some money is the share of online video-on-demand, but the economic income in this area is relatively limited, and the profit is not that big.

Of course, if you count the TV series "Full Time", it's another matter.

However, in terms of the ability to absorb money simply by watching animation works, the "Full-time Master" operated by him is a bit far behind "Amber Sword".

He even once believed that the news released by those investigation agencies was suspected of being fake.

But this matter did not depend on his will. Later, a saying gradually spread in the industry:

"The strongest animation in China, "Amber Sword"!"

There is nothing wrong with that statement.

The so-called Wenwu is the first, it also depends on the situation. When there is a work that completely crushes all other works that can be seen on the market in terms of quality and business, then it is a well-deserved number one.

"Sword of Amber", or "Dimension Entertainment", has achieved this.

...

""Amber Sword" conquered Japan!"

"The Japanese anime circle was bombed by the Kohaku nuclear bomb!"

"This animation is popular all over Asia, if you haven't watched it, you are too low."

When Fan Zhe saw titles and topics like this appearing on the Internet on a large scale, he felt a little ashamed.

Although I'm telling the truth, but... everyone can be more tactful, otherwise I'm very embarrassed.

However, to be honest, such a topic is still very attractive to the general public.

Japanese animation has always been a "classic" in the hearts of Chinese people. Many post-80s, 90s and even 2000s who grew up watching animations have never watched Japanese animations or special Japanese films, but they are a minority.

"Ultraman", "Pokemon", "Digimon", "Doraemon", "Sailor Moon", "Detective Conan"...

Starting from these slightly ancient works, and then to the three major migrant manga "Naruto", "One Piece", "Reaper"...

These things, to be honest, also grew up with the youth of this generation in China.

Ordinary people may have an impression of Japan as 'devils', 'animations', 'little movies'...

In the field of animation, in the public impression, they are simply too good.

Now, public opinion from all walks of life is saying that there is a Chinese animation produced in Japan, crushing all local works?

The instinctive first reaction of many people is to not believe.

Then go to verify it, and the data from all parties came back, and it feels... It's all true!

What’s more, it’s not just for verification. If you go to Japan’s own animation discussion forum, you can also see a lot of good comments about this work; some friends in Japan asked, and the answer they got is that this work is indeed very popular. .

Now, many discussions about "Sword of Amber" have calmed down a little bit, but this wave has become noisy again.

Of course, there are always some spiritual Japanese who are very unconvinced about this.

However, they can't make much of a difference. They hang on to speak on the Internet, and then they are overwhelmed by the saliva of the broad masses of the people. This is the end.