The Greatest Showman

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The tonality of the whole movie of "Lobster" is very cold, revealing a mechanical coldness inside and out, which is consistent with the usual film style of Oggs, which also means that the actors' performances can't have too many ups and downs. , and it should not be too revealing, and must be consistent with the style of the image.

Then, the actor must dig more into the character, and only when there is a chemical reaction inside, can the most complete effect be presented with the simplest performance, otherwise... the whole script may be a group of walking dead wandering around - think about it this way , which seems to be in line with Oggs' needs.

This reminds Renly of "Hard's Quiet", which won the Golden Lion at the Venice Film Festival not long ago. That film has such an effect, and the films of Swedish director Roy Anderson (roy-anderson) are like this. style; as well as Finnish director aki-kaurismaki, "A Man Without a Past" is one of his masterpieces—

In the future, if you have the opportunity to challenge such a performance method, it is bound to be very, very interesting. The actors converge all their personalities and edges and corners, showing a Nordic indifference style. Emotions are pulled away, even colder and stiffer than "The Walking Dead", and the atmosphere of the studio shooting is worth recording.

Just thinking about it, Renly couldn't help but glee.

Going back to the "lobster", what kind of personality should David be?

A nerd otaku who "is outside the mainstream society and still maintains a pure heart so that he believes in love and refuses to accept arrangements and even is willing to do everything for love".

This setting should be very interesting. For example, his favorite movie is "Sixteen Candles"; for example, his favorite novel is "Pride and Prejudice"; for example, his favorite poem is Rimbaud ...and so on, to fully present that kind of romance that is hopelessly so naive and stupid, injecting an unrealistic idealism into the character, which is just incompatible with the setting of Oggs, but can create a film for the film. Contrast, and then complete the whole circle of sarcasm metaphor.

With this setting, many small details can permeate the film.

His handkerchief is pink - if it's too girly, you can replace it with something smaller like a pencil or business card; his favorite fruit is strawberries - or cherries, and dessert can be strawberry mousse; He has cleanliness and obsessive-compulsive disorder, and everything must be clean and neatly standardized-this can be learned from Matthew's living habits...

The more you think about it, the more excited you become.

Renly even sat up, muttered to himself and began to "discuss", and finally stood up again and began to wander around the study:

Not only thinking about the role of David, but also thinking about "how to give the director's desired role weight within a limited space and limited space, and how to interpret the actor's own understanding of the role without stealing the scene or even The danger of tipping the balance". This is an interesting topic.

Oggs is a director with a very prominent style and a strong reliance on actors. These are two contradictory sides, but they are combined because of Oggs.

How to understand?

In Oggs's lens images, he needs to maintain that calm to indifferent texture, composition, light, color and space, etc., there is not much room for actors to play freely, such as "detaching" the last fixed shot, "" The opportunity to schedule the super-long shot of "Drunken Township Folk Ballad" simply does not exist. In other words, if the actor's desire to perform is too strong, it will steal the spotlight, even destroy the sense of the picture, and then destroy the overall presentation effect.

The actor, in the lens of Oggs, is a symbol.

But at the same time, Oggs' stories often have absurd effects, the three children who are imprisoned at home in "Dog Tooth", the indifferent and almost evil boy in "Death of the Sacred Deer", and the cold and twisted in "Lobster" The hotel manager, these characters themselves are part of the plot. They are embedded in the whole work like chess pieces in a weird and cold way. He needs the actors to show that kind of absurd effect, and the importance of the performance quality is particularly prominent.

Actors are also an integral part of Oggs' overall style.

It can be said that Oggs needs the actor to show the performance but also needs the actor to control the performance. Everything must be perfectly fit in the correct position, so that it can present the most perfect effect - a little lack, then it may be completely Submerged in the entire work of Oggs; too exaggerated, then Oggs may cut the shot directly, refusing to destroy the whole of the work.

The most direct proof is the work of Oggs:

In all previous works, including "Dog Tooth", "Alps", "Lobster", "Death of the Holy Deer", etc., all performances have not been able to win any awards or even nominations; but "The Favourite" has become There are many reasons why:

Partly because of the absurd comedy effect of the whole work, Oggs allowed the actors to perform a sense of clown-like banter - not a joke but a banter, which gave the actors more room to perform; partly because the work was well-loved And even the actors also received a series of incidental votes; but the most important reason lies in the four words, which are just right.

Three heroines, Olivia Coleman, Emma Stone and Rachel Weisz.

Emma put it away and restrained all the previous sharp edges, revealing a hint of playfulness and cunning, but it was a perfect match.

Combining the character and the overall style of the work, in Renly's view, this is the best of Emma's career, even surpassing the "La La Land" that won Emma the Oscar for Best Actress, and it is truly natural.

Rachel pressed and acted, completely in line with the style of Oggs's works, cool and strong, the whole momentum burst out from the inside out, seemingly calm but secretly thunderous, the perfect state is comparable to her in 2005 She was at her peak when she won the Best Supporting Actress Oscar for "The Immortal Gardener."

Olivia's free-handed performance would seem out of place in Oggs' usual works, but in the overall absurd work of "The Beloved", it has become the finishing touch, from character setting to work Style, Olivia's slightly released performance is a complete combination of hilarity and sarcasm, and eventually becomes the eye of the show.

Although it is said that the three heroines of "The Favourite" won a series of nominations in the awards season, the reason is not so simple; but it is certain that the right performance really fits Oggs perfectly. It also proves that in the works of Oggs, actors do have room to play, but it is definitely not so easy for actors to seize the opportunity.

Does this mean... a challenge?

Thinking of this, Renly couldn't contain his excitement and excitement.

So far, in all the works that Renly has acted in, the director has given him enough space, even the "detached" Tony Kaye has only made countless requests. Find a way to perform; and now whether the director is willing to give him space, it is not certain for the time being - it is not even certain whether Renly will play, but even if Oggs is willing to give Renly free space, Renly can't do whatever he wants Play freely:

His performance style must be in agreement with the director, and at the same time, he must find his own style and characteristics within a limited framework, and must not break the balance of the overall performance.

This is very very very worth looking forward to.

In the past few works, Renly's performance has received numerous accolades, including the acclaim of "Freedom to Retract"; now is the moment to truly test whether this evaluation is up to standard. In the last life, Colin Farrell did not. Being able to give the role of David more impressive highlights - for a number of reasons, not entirely Colin's performance; then, can Renly pull off this daunting task in this lifetime?

Just thinking about it, Renly couldn't stop.

In the study, Renly began to rummage through the bookshelves for psychology-related books—although he had read some psychology books before, this time was different.

Oggs' metaphors for stories and characters have psychological implications. Further, the actor's understanding of the role must also be integrated into psychological understanding, especially the setting and conception of the role of David, from the past to the present. In the future, how the entire character's context is formed will be helpful to the performance, to Oggs' script, and to the overall quality of the work.

Although Renly's memory of the script and characters is relatively vague, this does not prevent Renly from opening his mind and envisioning the whole world based on his own divergent thinking.

Then Renly got busy again.

...

Here, Renly is diving headlong into the world of acting, and he can't help but start swimming even during the holidays; there, Ogus and Andy face many problems in their discussions.

As Renly thought, the ideal candidate for Oggs is not Renly - although he is the hottest actor in the world, not every director buys it, more precisely, not every role is suitable, Compared to David, Renly is too young, too handsome and too... famous, which makes Oggs inevitably hesitant, worried that Renly is too big, and he can't control Renly in the crew. .

The truth is, he really has no control over Renly; but Renly is a dedicated actor, and Renly has shown Oggs his dedication.

Renly met with Oggs in London to discuss the script and characters, which also convinced Renly that Oggs had indeed gone awry - he wasn't single with David at all The reason for setting it up, which also caused the whole story to fail to gain a foothold, and after Renly explained his understanding and inspiration to Oggs... things took a turn for the better.

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