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"Lobster", officially started.

According to the custom of the crew, the first scene was shot seven times over and over again - and there was no switching between different shots to repeat the shooting, which would have missed the opening; but Oggs didn't care, but concentrated on it. After thinking about it, I would talk to Renly for a while after each shot.

Renly didn't mind, and adjusted his performance over and over again. The same scene and the same lines went back and forth like this, and even the staff couldn't sit still a little - because the difference between each performance was really limited. It's hard to tell the difference when watching from the sidelines, and a little distraction can lead to a cycle of "deja vu", but Renly still diligently fulfills all Oggs' requirements.

In fact, Renly is completely enjoying it, and he is also adjusting his performance. On the one hand, he hopes to fit Oggs' style; on the other hand, he hopes to find his own style of comedy performance, which is a necessary process. . What's more, compared with "detachment", this can only be regarded as sprinkling water.

After shooting seven versions before and after, Ogus finally nodded, saying that he had found a satisfactory version.

If it is an ordinary scene, then the director may not tell the actor which scene he is going to use, because it will be officially decided during the editing and production in the later stage. Find a feel for an angle and the rest of the work is done through post editing.

But this scene is a little different. They are trying to adjust the on-off and balance of emotions. Orgus still needs to let Renly understand: which kind of feeling is what he wants to see and which kind of performance is acceptable to him. This has implications for subsequent shots. Communication is also very important.

"The first time. We'll go the same way as the first time." Ogus said, although he was a little cautious, Ogus still accepted the fact calmly - Renly's first performance was the best, The unique style created by the abruptness can also become an integral part of the film's dark humor. Ogus also realized that his "preconceived ideas" had gone wrong twice, and he really needed to go back and review it.

As for now, leaving those annoyances and depressions behind for the time being and focusing on filming, Oggs has already begun to think about how to choose the soundtrack.

Renly also breathed a sigh of relief, which meant that the first scene at the start of the game passed smoothly, and his exploration and research on comedy was initially recognized.

Compared with plot works, comedy movies do have a unique experience. The humor hidden in them is very advanced, making people smile without laughing. The shooting scene of the "Lobster" crew should be very interesting. ——Although comedians are not necessarily happy all the time, the scene of a comedy movie must be full of ease.

The facts also confirmed Renly's speculation.

The filming atmosphere of the crew is very special, the surface is cold and the bones are cheerful, and the absurd sense of humor is always surging secretly. At least, unlike the "Edge of Tomorrow" crew's mischievous laughter, it is more of a spark from the friction of wisdom.

For example, Renly accidentally found Olivia shyly and sweetly talking on the phone with her husband, and the excitement between her eyebrows was as alive as a butterfly's wings, "I don't think it's a good idea to invite him to the house, I always feel He's going to deceive you all, I mean, he does have the potential to be a thief." Then, Olivia's and Renly's eyes collided.

That scene... Although Renly couldn't be sure who "he" was, and Olivia didn't name him, the situation at the time was really weird and joyous. Even if the content of the conversation was temporarily ignored, Renly couldn't tell the difference. It was clear that it was more rude to break through other people's husband and wife chat, or to accidentally discover the side of Olivia's little woman was more terrifying.

It was only later that Renly learned that Olivia herself was very introverted, even a little quiet, but as an actress, she had to force herself to stand up, and that's how she showed those sharp edges. To a certain extent, the faces of the first meeting are also an extension of Olivia's performance-in real life, Olivia is a different character.

After that, as long as Olivia saw Renly calling, or when Renly saw Olivia calling, the two would cast a mocking look at each other, keeping everything silent, but always. is full of joy. That kind of tacit understanding, on the contrary, narrowed the distance between the two people.

Another example, John Riley's first scene was constantly eating screws during the filming process, and the phenomenon of pronouncing big tongues, like a short tongue, made the scene staff laugh, and even Oggs was helpless. —— Actors also have state problems, just like the inspiration of art creators. If something is not right, then it is difficult for the performance to get on the right track. Oggs thinks that John's performance state that day was not right.

Unexpectedly, Whishaw and Renly teased John every word and every word, let him try to add a little color to the character, it is better to evolve the original character "chubby man" into "big tongue man", this It's actually harmless to the script and the characters, and it doesn't change the core things, but the performance has become a stalk of the crew.

John accepted the offer bluntly, and then... the script added a "man with a big tongue."

Later, many staff members of the crew followed John to learn the big tongue, and even the "good morning" that they met every day evolved into "young"

"Children's Version" - the baby version of babbling, this has also become a smile that can only be understood within the crew.

For example, because the entire crew stayed together, day and night, every day after filming, except for Oggs who occasionally called Renly to discuss the script creation, the actors and staff had to pass the time—in In this rural area, where internet speeds are limited and even cell phone signals may be affected by rain, they have to find their own fun after nightfall.

The result is a bunch of people coming together to play... Scrabble.

Instead of playing poker or drinking beer, it's Scrabble, and it's even turned into a Scrabble Con! Every day, everyone is eager to show their skills, so that during the day when work is free, the discussion topic becomes, "How did you spell 'thrilling' yesterday", "If I spell the red-crowned crane, then it will be fine. Overturned," and so on.

When Oggs first realized this, he was slightly stunned and said a classic line, "Why are you all Sheldonized?" The audience burst into laughter, and this line became the The secret code of the crew - "Last night Rachel became Sheldon, and Jessica was ten points worse!"

Even these sesame and mung bean-sized daily routines don't seem to be anything special when taken out alone, but they make the entire crew feel relaxed.

Even the performance has become cheerful - John-c-Reilly is an authentic comedian, showing a sense of joy in his gestures, and he can make a splash from time to time; Renly is a quick-response, adaptable type, acting. In the process, a steady stream of inspiration can often be generated, and then different attempts are made, and the two actors collide, which also makes Oggs a headache.

But compared to Ogus standing behind the monitor, it was Whishaw who really suffered.

Whishaw's performance is still relatively regular, and the style is more of a delicate and layered type. In this work of Oggs, Whishaw appears more in a gloomy and silent image. Ridiculous to create a dark humorous effect, but Whishaw ran into John and Renly, and he really had a hard time in front of two unconventional actors.

It's like this scene is being filmed right now.

"Once you enter that room, they will wash you thoroughly first," said the lame man.

"How do you know?" the man with the big tongue asked.

David sat next to him, looking left and right with the eyes of the deer, his eyes were full of innocence and confusion, revealing a kind of confusion of "what are you talking about", and his slightly raised eyebrows squeezed out some heads. The pattern is still there, but the eyes are still a little hazy, and the appearance outside the situation is incompatible with the atmosphere of the scene, and then the sense of joy collides.

Look first at the lame man, then at the big tongue man, then at the lame man... David is a little busy.

"My uncle used to know a waiter here," the lame man replied.

The big-tongued man frowned, "How could the waiter know the procedure?" Then he cast his eyes at David, "They are not allowed to enter that room."

David raised his jaw and looked at the man with the big tongue very seriously, as if he was participating in a discussion, but his confused gaze revealed the details, and then David looked at the lame man and put the big tongue out. The man's gaze was also drawn to the past.

Tolerate.

Tolerate!

Tolerate!

After all, Whishaw couldn't hold back, he laughed after a puff, he raised his hand and gestured towards Oggs, "I'm sorry, I'm really sorry!" Whishaw lowered his head and used his hands He covered his cheeks, but he couldn't control his laughter.

"God! You two..." Whishaw was funny and helpless, but he never dared to raise his eyes.

"Ben, what's the matter?" Ogus tried to help.

Whishaw just looked up and saw John and Renly, and then he couldn't help laughing again. Oggs, who didn't know what to do, walked over and cast an inquiring glance at Renly, but Renly was still full of innocence. , which made Oggs helpless and could only look at Whishaw, "Ben?"

"I'm sorry, I'm really sorry." Whishaw was still expressing his apology, raising his hand and rubbing his eyes, because he smiled too happily and his eyes were wet.

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