The Greatest Showman

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Ben Whishaw feels very innocent. John Riley and Renly are two old foxes. You come and go and let him get into a difficult situation by himself, holding back his smile and avoiding laughter. This is definitely a part of life. Great torture! Whishaw classmates expressed strong condemnation to the two guys righteously.

Dark humor can create such a comedic effect, the lighthearted joy of the "Lobster" crew is definitely something that was not expected before the start, but... maybe this is the chemistry? This also means that Oggs' casting vision is vicious, and he has gathered a group of excellent actors.

In the jubilant atmosphere of the audience, Ogus should be the only exception: although the problem of Whishaw's laughter cannot be ignored, it is not a fatal problem through the splicing of different cameras. Even if there is no reshoot, the post-editing will not The production can be completed without worrying about revealing the stuff; what's more important now is the genius of Renly, which disrupted the original plan of the whole scene, but at the same time gave the characters more possibilities.

Judging from the effect of the whole scene, in fact, the tone of black and cold humor meets the requirements of Oggs' ideas, but countless emotions emerged in Oggs' mind, and the whole story began to spread out, as if being messed up by cats Like a ball of wool, Lala slag had to show a lot of clues, which looked dazzling, but he needed to find the thread.

"Renly?"

Ignoring the cheerful atmosphere of the scene, Oggs took the initiative to come to the actor's side, motioning for John and Whishaw to stay where they were, while he came to Renly's side and looked into Renly's eyes, "Actually, I have a question, It's been there since the first day of filming, but I never found a chance to ask; this scene just now reminded me again, so...why did you slow down your speech?"

After a short pause, Oggs explained, "I mean, your whole rhythm is slowing down, not slow motion, but slowing down the rhythm... Is that so?"

At the end, Ogus also added a question to make sure that his judgment was not wrong.

"Yes." Renly answered in the affirmative.

Ogus nodded lightly to show his understanding, and then there was a moment of silence, and he had to ask repeatedly, "And then? Why did you do this?"

"...Oh." Renly paused for a while before he could react, then his eyes fell on Oggs, and he quietly paused for a breath. "You mean that, right?" The slow-paced speech reappeared David's feeling, which made Oggs nodded in agreement, but the next words made Oggs a little abducted——

"No reason. It just feels right," Renly said.

What?

Oggs looked at Renly with question marks all over his head. He originally thought that Renly would, as always, analyze more details about David from the perspective of personality and psychology, and then explain his reasons for acting like this. For example, David is an introvert, usually staying at home and not good at socializing; another example is David's thinking speed is a little slow, and even the rhythm of speaking slows down; Life is out of tune with the surroundings, which is why he was arranged to get married... and so on, and so on, he is also looking forward to finding more inspiration for the scene of the three-person dialogue just now.

But... what? No reason? What is this answer? Aren't liars joking? What kind of rubbish answer is this?

Because Oggs' stunned expression was really too shocked, which made both John and Whishaw chuckle - the scene was indeed a little joyful.

The corners of Renly's mouth also rose, and he patiently explained, "There is no particular reason. On the one hand, I am indeed pondering David's character and characteristics, but those details have no essential roots and cannot be regarded as character frameworks. Being distracted is just a small detail; on the other hand, I am also studying comedy acting, hoping to find a way of acting that suits me and adds luster to the character."

Bala blah.

Bala blah.

Renly's speaking speed had returned to normal, switching from David mode to Renly mode, and he spoke a lot, Ogus savored it carefully, and finally came back to his senses, "What do you mean? , you just think it's humorous to act like this, so you act like this?"

"Yes." Renly nodded affirmatively.

Ogus' face was full of love.

A smile appeared in Renly's eyes, "Why, isn't there much humor in such a performance? I thought you liked this kind of performance."

Ogus opened his mouth, but found that he couldn't say yes or no, "...I'm just," Is this sure it's not a fool? "I just thought you had more thoughts and deep meanings, just like before." Unconsciously, Oggs expressed his true thoughts in his heart.

John and Whishaw both laughed, and Whishaw couldn't help but complain, "Look, I'm not the only one!"

Renly looked innocent, "I'm just trying to be a comedian."

"..." Ogus couldn't refute.

Renly is serious and presents the role of David in a comedy way. Obviously, there are many ways to perform. He carefully analyzed David's character and the subsequent plot, and finally chose a "turtle" style performance. , to show the innocence and restraint of David's character.

But if it is said that pure and kind-hearted characters all speak and act in this way, it is not necessarily so.

There must be many different ways of performing and performing, but Renly chose this way, hoping to create a contrasting cold humor and invisibly infiltrate the comedy effect.

Regarding comedy performances, Renly is still pondering and exploring. "Lobster" is obviously different from "Super Marines". He needs to interpret his own style in the style frame of Oggs, which means that he needs to inject more Effort, especially those blank spaces without lines, is very important for comedic effect.

Seeing Oggs' depressed expression at this time, Renly asked seriously, "Why, don't you like it? Still not suitable? Do you want to adjust all the previous parts?"

"No, no, no." Ogus waved his hands again and again, "I'm just curious..." After a pause, Ogus raised the topic of discussion with a little urgency, "I'm just worried, David's performance during the conversation, Is it too radical? On the contrary, it is unnecessary to force the audience to guide the audience, as if it is forced to tell the audience how to think about this scene. This seems too low-level. "

"Oh." Renly dragged the end, and seemed to be thinking, "Then do you need me to modify the way of acting? Or should I delete all the lines that were played on the spot? Or suppress the whole emotion and try to do as much as possible. Bury those emotional clues a little deeper?"

Renly was engaged in the discussion intently, without any cynicism. In fact, on-the-spot performances are not necessarily all positive, but more inspired by fully understanding the basis of the original performance. Naturally, there are good and bad, and the final choice still needs to be decided. So he threw the question to the director to see what the director needed.

On the contrary, Ogus hesitated. If it was before, he might have suspected that Renly was joking; but now he knew that Renly was sincere. Always being extra focused, it also meant Oggs needed to rethink the scene.

To change, or not to change, that is a difficult question.

"No, I mean, I like some parts, but I don't like some parts." Ogus was a little contradictory, but after thinking for a while, he still decided to follow the "old rules":

Repeatedly shoot several times, and then in the post-production process, select the clips that you are most satisfied with, and edit them to become the final work.

This decision made Whishaw groaned in pain, covering his cheeks with his hands in annoyance, "God, please forgive my poor soul."

That depressed look made John laugh loudly, "Ben, don't you know that the more you are like this, the more you can stimulate us?"

Whishaw quietly put down his palm, and looked at John with some confusion and confusion, as if he didn't quite understand.

Then Whishaw turned to look at Renly, cast a questioning glance, but Renly shook his head repeatedly, "No, it's just him, it's nothing to do with me. I have no prejudice against those special hobbies, but again, I There are no special hobbies, and I think we should treat John with a sense of normalcy."

What special hobby? abuse? Or abused? what or what?

Renly's meaningful suggestion shocked the surrounding staff, and all those wonderful glances were projected towards John.

Renly also said to John, "Right, John?"

John blinked and turned to look at Whishaw. "Has anyone reminded you that you have to be careful with Renly? I finally understand what that means now."

In a cheerful and relaxed atmosphere, shooting resumed.

Not only Renly, but John and Whishaw also began to adjust a little, trying to rub different sparks in the performance, and the whole shooting process was full of laughter:

Sometimes, Renly can still give birth to new inspirations and interpret the character with different feelings; sometimes, Renly needs to change the rhythm and content to explore the role of David; Xiao cooperated and rubbed sparks in the chemical reaction of the three people; other times, he completed the performance in a normal and step-by-step manner to see if it met Oggs' needs.

This was originally a relatively long scene, and three different shots had to be adjusted before and after to complete the shooting; moreover, a large number of lines also needed to be kept in a stable state, which invisibly added variables to the shooting, which also caused the three people to go back and forth. After seventeen shots, I got the nod from Oggs, and finally ended the torture of this long night.

Poor kitty Whishaw, finally liberated.

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