The Greatest Showman

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"I can't. I really can't."

Rachel seemed to be on the verge of collapse.

This is always the case when the actors play against each other. It may be that the east wind prevails over the west wind, or the west wind may overwhelm the east wind. It may also destroy each other's rhythm and lead to total chaos. It is also possible that the two parties have a chemical reaction to improve the quality of the performance, thereby creating more sparks and bringing unexpected surprises. surprise.

Everything is possible!

Because everyone is different! The performance rhythm, state, style, etc. are also different between people. Relying on different roles, different scenes, and different directors, more differences will evolve, and naturally there will be countless chemical reactions. development possibilities.

As a rule, Rachel and Renly are both actors with extremely rich acting experience, and they are also actors with very rich stage performance experience. The rhythm of each other is completely destroyed and one party is completely out of balance. It's not even likely to happen.

After all, Rachel is not some unknown vase, her strength and level are beyond doubt.

So, what the hell just happened?

To put it simply, Renly is full of firepower, from gestures, eyes to lines, Renly has given a lot of details to the performance of the whole scene, that is, adding. If placed in a medium shot, these additions are too subtle to be fully captured, and only a change in the overall aura can be experienced, which is why the staff can feel emotional surging; but if placed in a close-up shot Inside, these emotions seemed too heavy and too powerful, and they released an instant heavy blow in an instant, which also created the effect of a magnifying glass, which rushed towards the face regardless.

What Ogus and others saw were medium shots, and what Rachel saw were close-ups.

As a rival actor, Rachel was directly exposed to Renly's performance emotions. She could clearly feel that Renly's performance was improving in an all-round way. Those emotions were all vented like a torrent of water, without giving Rachel a breather at all. space and time.

Then, the performance is off balance.

Rachel is no longer a rookie actress. Her acting experience is very rich enough to allow her to cope with various scenes. Even in many cases, she is the one who presses the scene. Young actors may experience rhythm imbalance if they are not careful. , This mature and stable acting temperament has allowed her to successfully stick to the bottom line, sticking to the scene just now to the end, and losing the rhythm before halfway through the shooting, causing interruption.

Still, Rachel was very, very dissatisfied with her performance.

In fact, Rachel could perceive that, recently, Renly's performance has always maintained a state of being cold on the outside and hot on the inside, with glaciers on the surface and volcanoes on the inside. This kind of ambivalence fits David's role just right. It's a good thing to give Orgus's works more development possibilities.

But the difference is that in the previous scenes, the emotions were strong but relatively stable; in today's scenes, the emotions were turbulent and exploded instantly, and then Renly's performance was a little too hard, the whole details Buckle up too hard, and emotions are like huge waves, one after another, and then the balance is easily broken.

Rachel didn't know what happened to Renly, and she didn't want to snoop on Renly's privacy.

Rachel isn't sure if Renly's performance is overpowering, she's more focused on herself.

But Rachel can be sure that she is not satisfied with her performance. The feeling of being suppressed is too bad, which makes her performance have no soul at all; even worse, she is directly out of myopia The woman's acting state has empathy for David, which is a very fatal performance flaw. It can be said that she did not enter the play at all - it is not that Renly's performance is not good enough, but her concentration is broken.

Rachel was very, very unhappy with her performance.

"I can't do it! I need five minutes!"

Rachel realized that her mood swings were too strong, and it was obviously not suitable for her to continue to perform. She took the initiative to ask for a five-minute break.

Represented by Rachel, the entire crew could feel the powerful aura of Renly, as if a martial arts master finally showed his full strength with full firepower, and the sense of oppression erupted mightily. It is easy to form aura suppression, and no one can make an exception.

Rachel didn't sit next to her in a daze, but got up and came to the back of the monitor, asking to watch the playback.

It can be clearly seen from the replay of the performance that the entire rhythm and aura are completely focused on Renly, and Rachel's presence is not even felt in the camera. She is just like a wisp of air, and she is directly ignored. It ruins the coordination of the whole scene, which is not a normal phenomenon.

Rachel's body language was very rigid, and she didn't show the calm atmosphere of a short-sighted woman at all. At this time, she should be the one who has the initiative and control. Even in the face of David's temptation, there is no problem, she is calm and calm. deal with all potential possibilities; but the reality is:

"God, this is a disaster." Rachel couldn't believe that the person in the camera was herself.

Among them, David is concentrating on the picture of the myopic woman. Rachel's back muscles are obviously stiff, and even her aura has become unsteady, which also reveals the panic and hesitation in the myopic woman-

But at this time, the exact emotion of the myopic woman should be calm, slightly nervous but still calm, pretending not to notice David's scrutiny at all, even

You can even express doubts because of the silence of the atmosphere, raise your jaw or turn your head slightly, and ask David, "What's the matter?" This kind of general style of controlling the overall situation is the correct way to perform. .

But what about her?

"Oggs, please hide all this content and never let me see it, okay?" Rachel blamed herself, "I can't believe it's me, clumsy like an open book If this is true of myopic women, they would have been eaten alive in the forest."

"Rachel, it's actually not that bad." Oggs tried to comfort his love.

Rachel turned her head and looked at Oggs very seriously, "Are you serious?"

Orgus just got stuck - remember? According to Oggs' original setting, Rachel was the eye of the whole work, but now it has been completely overturned. David's every move, every word and deed has given the whole story deeper and more complicated possibilities. Imagine that the actor's performance can have such power; on the contrary, Rachel's interpretation of the role failed to open up the situation, and she was at a disadvantage.

Rachel pursed her lips and nodded lightly, as if she was comforting herself, "I can accept it. I can accept the crap I just performed. It's good to do it again, we just need to do it all over again. Right? There are new possibilities to do it all over again. How about it, Renly, would you like to do it all over again?"

Rachel seems to have suffered a lot of blows, and her emotions are inevitably exposed, but such an appearance reveals a little woman's tenderness.

Renly was also watching the replay of the performance, and after calming down, he also realized that he had exerted too much force.

Although, from the perspective of the medium shot, those emotions are accurate and not outrageous; but there are still many aspects of performance that need to be considered, such as opponent actors, such as the overall picture, such as the style of the work, and so on, otherwise If the actor is too prominent and destroys the whole, then the actor is also dereliction of duty - at least part of the responsibility for the work is not as expected.

That's it right now.

The style of Ogus's works is still relatively cold and stable, and all performances must be restrained inward, which is why Buster Keaton's performance style can bring a lot of inspiration. This work is more wonderful and more intense chemistry.

As for Renly's performance just now, you can clearly see the traces of exertion - those detailed movements did increase the mood, but they seemed too numerous. At this moment, it should be "less is better than more". Yu Yun, this is the most appropriate, he made an obvious mistake.

A bit similar to Matthew McConaughey, after winning the Oscar for best actor with the "Dallas Buyers Club", Matthew's career trajectory plummeted. At the peak of 2013 and 2014, his performance received numerous praises, both inside and outside the industry. They were all praised, and some people even joked that Leonardo DiCaprio should learn from Matthew - and the two did dedicate their counterparts in "The Wolf of Wall Street".

But what happened afterward?

In fact, it is very simple. Matthew has learned to carve the details, but he has not learned to control. This also makes him continue his accustomed performance method in subsequent works, just like a template, using the same performance method to interpret different roles. Too many Instead, the complicated details become a burden, destroying the characters and works. Then, his performance is a "failure".

The same set of performances is the icing on the cake in some works, but the black sheep in some works. "Your honey, my arsenic" is the truth.

In this scene, Renly also encountered the same problem - he can indeed act, and he can indeed control the overall situation, but at this moment in the scene, he does not need to show off his skills, but his dazzling skills destroy it. In terms of integrity and balance, he needs to recycle some of his performances.

Ogus is not an acting speciality, he can faintly perceive the difference, just like Rachel, but for a while, he can't say why; but after Renly calmed down, the whole idea became clear, He also realized that the chaotic thoughts in his mind still made him too tense and engaged, and as a result, he fell into the rut of "too far too much", and he needed to readjust the rhythm.

Then, Rachel's inquiry came, and Renly didn't hesitate, "Of course, very happy!"

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