Travel through the Xiangjiang chaebol young master and become Liu Tianxian's godfather

After reading the script of this movie, Ma Qingyang recalled how he felt when he had watched this movie before, and felt that this movie was actually very ordinary, even a little nonsensical.

Although it is a similar theme, this movie is even far inferior to the previous "Crazy Robbery" in which Ma Qingyang asked Zhao Yuzhi to participate.

Because I don't know what he's talking about after watching the whole movie, this movie is relatively experimental and not friendly to ordinary audiences.

Ma Qingyang didn't really want Lin Qingxia to act in this movie, but Lin Qingxia had already signed a contract before she met Ma Qingyang, and she could only finish acting.

Because Ma Qingyang himself did not participate in the investment of this movie, the quality of this movie 467 has nothing to do with him.

This movie is really strange, and the composition of the characters' standing structure reveals a mysterious meaning.

In general, Hong Kong films deal with the dialogue between the two people, pursuing efficiency, and paying attention to the rigorous composition of the characters' positions.

A scene where the four of them meet, some meaningful empty backgrounds, when IVY and Fu Zhuzhong appear later, there will be no other idle passers-by around.

A work of art with a mystical allegory, the scenes of several chamber plays are particularly prominent.

These alternative methods are traceable.

"Love Killing" takes the experimental route, which has a lot to do with the fledgling Shuping.

At that time, he didn't have much of a name, but he did a lot of work in art direction.

Even now, years later, this is still quite remarkable.

Tan Jiaming also inserted many symbolic pictures in "Love Killing", such as the beginning of IVY walking towards a barren desert with no grass, aiming at the empty shot of a strange city, and riding a roller coaster in the middle, as if walking on an endless road, all of which establish a vague and ambiguous reciprocal relationship with the love of two people.

It is not impossible for the film to set the scene in Hong Kong, but the choice of taking place in the United States has a different meaning.

Although there are many Chinese ethnic groups in San Francisco, there are still countless differences between San Francisco and Xiangjiang across the ocean.

As the saying goes, wandering people have no roots and lack a sense of existence, and IV (cgcd)Y can't grasp the love in life, and this is the reason.

Watching "Love Kills", the contrast between the two colors of red and blue is always present from beginning to end.

In terms of tones, red and blue correspond to warmth and cold, as well as acts of love and killing.

and then the way the subtitles are released at the beginning of the film, Lin Qingxia's name is red, and Zhang Guozhu's name is blue, which directly explains the personality traits of these two main characters.

The names of the cast and crew in the back are also one red and one blue, alternating between them, which is very novel. (If you read a violent novel, go to Feilu Novel Network!)

IVY is enthusiastic, feeling the joys and sorrows of normal love, and Fu Zhuzhong is melancholy and deeply suffering from mental illness.

The ubiquitous contrast between red and blue leads to many things that can be corresponded to in the film: San Francisco and Xiangjiang, urban and desert.

The shock of the suicide scene at the beginning quickly translates into the aforementioned strong color contrast, with a terrifying emotional power in between.

Tan Jiaming soon added a color as a harmony, and that was white.

Take the crucial San Francisco reunion section as an example (the rooftop section at the end can also be used as an example), where IVY and Fu Zhuzhong meet. []

Ivy was wearing a white dress and was about to lock the door of the car, a red car.

When she expressed her inner concern to Louie before, she was still wearing red.

Fu Zhuzhong suddenly appeared, dressed in white.

They drove forward again, and the night fell.