Treasure Hunt America

Further back are several pieces of Western furniture, and next to the Western furniture, there are actually two old-fashioned gramophones, a desk clock, and a piano from an unknown age. 【Full text read..】

This stall is really interesting, and it is really different from other stalls.

People are all specialized, and his family is like opening the World Exposition. Not only are things mixed up, but they also come from all over the world.

Jin Muchen has been visiting the exhibition for a few days, but this is the first time I have seen such a booth.

Judging from the Japanese habit of deducting details, it is really not easy for a stall to make a business like this. If I have to use one word to describe it, it is not professional enough, very unprofessional.

However, after thinking about Shenmu's introduction to this stall, I was relieved. After all, the few who set up the stall were not professional antique experts, but the kind of members of the community who just got one vote and left.

They don't come here to set up stalls specifically to buy antiques, their purpose is to realize the things in front of them as soon as possible.

Looking at the price of these things on their booth, it is also very consistent with Jin Muchen's previous judgment. It is indeed a few floors lower than other booths. However, although the price of the things on their booth is low, but before coming to this booth to see the goods, they even said There are very few people buying.

The reason why such a situation occurs is normal. After all, this exhibition is still very particular about word of mouth. Although there are fakes in this exhibition, at least one thing can be guaranteed, that is, even if it is fake, others It is also obvious to tell you that fakes are called handicrafts.

For example, the Tatar he dealt with yesterday, although he was playing with a method of rubbing the edge, at least the Hendustan jade he bought was indeed from Hendustan.

Although the year is wrong, at least the materials they use for you are genuine, although they are not really ancient Hendustan jades. But other people's things have indeed humiliated the reputation of Hendustan jade, at least the processing technology and materials are still real.

Even if the person who bought his stuff in the end went back and knew that it was a fake Hendustan jade, it would be gratifying. Although I didn't buy the real Hendustan jade, I also bought a top luxury item.

But compared with those stalls, the things in this stall are different. Although the price is lower than those in other stalls, the people who open this stall are. But Yakuza members.

The names of these guys are well known to the Japanese. There are a bunch of guys who do everything possible to deceive them. When dealing with them, sometimes they don't even know how they were swallowed by others.

And if you buy fakes from them, and you're trying to find a theory from them, they won't reason with you at all.

Besides, these guys are from gangsters, who knows where their stuff comes from? What if it's dirty? Spent the money and bought it to go home. I haven't played for a few days, what should I do if the police come to the house when the owner loses it?

It takes money, energy and time to fight a lawsuit. What if the lawsuit is won in the end?

Ordinary consumers, who would want to do such a waste of energy?

So because of this, although the prices of the things on their stalls are relatively low, not many Japanese people are willing to patronize them.

And those who are willing to patronize this stall are probably foreigners like Jin Muchen who are rich. He also has eyesight, and can guarantee that the things he sells at this stall are genuine, and after the business is completed, he will not be afraid of the Japanese police and the owner if he leaves Japan. And don't worry about a lawsuit.

Therefore, such people are the main customer groups facing this booth.

Although that Oda and Tanaka didn't know the identity of Jin Muchen, but looking at the **** around this guy, and the warm and unrestrained foreign style of others, it was estimated that this guy should not be Japanese.

Since he's not Japanese, and he doesn't look bad for money. That's a good pitch.

"Jimsan, you can look at it, just say hello when you see it, and we will give you a 20% discount on everything."

The half-blood named Ricardo Tanaka is a guy who is very good at business, with a fast brain and a very clever person.

It can be said that all the things on their stall were obtained without a business. Their clubs usually mainly focus on lending, and they play very smoothly, so it is definitely a huge profit business.

In the past two years, Japan's economic situation has not been very good. Many small and medium-sized enterprises are struggling. Such enterprises are facing fierce market competition, and they have no R&D and innovation capabilities. It is very difficult to get loans from banks. In the end, they can only find them. Come and borrow money.

And before they lend money to these companies, they also set the rules. If the other party still doesn't pay, they will go to the other party's house to take the most valuable things.

Those small and medium-sized business owners generally developed twenty or thirty years ago during the golden age of the Japanese economy. At that time, Japanese companies, led by several major electrical companies and automobile companies, developed rapidly.

And these small and medium-sized enterprises, centered on these large enterprises, are also doing well to do steering support.

But now these big companies in Japan, in addition to the large automobile companies, even their proudest electrical appliance companies are already in decline and on the verge of bankruptcy. How can these small and medium-sized enterprises survive?

The life of small and medium-sized enterprises is difficult, and the owners are on the verge of bankruptcy, which gives these vampires in the b society a chance to take advantage.

In fact, according to the scale of their borrowings, they wish that those companies could not survive in the end, and then go bankrupt one by one.

In that case, just from those business owners, they can get back a lot of things, such as the business owner's real estate, factories, second-hand production lines, and some other properties of those owners.

If these things are taken by regular banks and go through the process, the time will be slow and the cost will be high, so most banks do not like them, but for the b-society who are not very disciplined, these can be realized. thing.

It’s easy to say anything about houses, they have their own real estate companies, they can sell them whatever they want, and they can rent them out if they can’t sell.

Second-hand production lines are even simpler. Those big banks who take these things can only stare blankly. There are regulations in the state. Even if these second-hand production lines are a generation behind, they are prohibited from exporting.

Therefore, it is not easy for the bank to sell it, but these b societies are different. The laws and regulations of the country are p in their eyes.

Although the technology of those second-hand production lines is not the top in China, it is also a good thing for some Chinese and Southeast Asian companies, so of course they can smuggle those production lines and sell them abroad.

As for other things in the creditors' homes, especially antiques and artworks, that's even better. This thing is their favorite hard currency for these b-society who are best at selling stolen goods.

This is also the main source of goods at Oda and Tanaka's booth today. Jin Muchen touched his chin and looked at the things on this booth.

Mainly silverware, mostly silverware, tableware, tea sets and the like from the 18th century, the Victorian period in England.

I have to say that the Japanese are quite familiar with Western antiques, especially in the selection of silverware. The silverware in Europe is currently the most popular in the market. This kind of silverware from the 18th century, the period of Queen Victoria.

This is mainly related to the strong national power of the United Kingdom and its special world status at the time, and the manifestations of the British national power can be seen almost on these silverware, with exquisite carving patterns and imaginative shapes, such silverware , which is unmatched by other European countries.

It seems that the Japanese also had a special understanding of this history back then, so they bought these things back a lot.

However, Jin Muchen owns several sets of such silverware, and even has coffee pots made by the top silversmiths in the UK at that time, so for these silverware, just look at them, although they are still barely able to gain his discernment , but there is no strong desire to buy it.

Just when he felt that there was nothing worth keeping in front of the booth, a piece of oil painting that was randomly placed in a cardboard box at the back of the booth aroused his interest.

The age of the oil painting looks very new, the longest is no more than 30 years, but it is constantly shining with red rays of light that cannot be concealed.

Jin Muchen couldn't help being more interested in this painting~www.wuxiaspot.com~ He raised his finger and pointed at the cardboard box, and Oda and Tanaka cooperated and carried the cardboard box to him.

"You guy, your eyes are really poisonous. I watched it for a long time, but I didn't dare to start. I didn't expect you to see such a good thing as soon as you came up. It's no wonder that you will make a fortune like this. quick."

Oda and Tanaka carried the box in front of Jin Muchen, and Jesse whispered in his ear at this time, and rolled his eyes at him charmingly.

Jin Muchen smiled in his heart, with what Jesse said, it seemed that he really chose the right thing.

The box was brought to the front, but Jin Muchen didn't rush to take out the oil painting. He just squatted down and pretended to be rummaging through the cardboard box. In fact, most of his energy was devoted to the oil painting in front of him. superior.

It stands to reason that it takes a very long time to identify an oil painting, especially for this kind of oil painting that has no background From what era, that is even more difficult. (To be continued.)

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